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考察王元骧的文艺美学思想,需要关注其思想的三个重要来源,特别是与“康德一黑格尔美学遗产”的关系。王元骧在中早期文艺美学探索中高度重视“黑格尔一马克思美学思想”的批判继承,在中后期的文艺美学建构中则相当注重“康德—马克思美学思想”的批判继承。他既注重文学艺术审美特性的具体考察,又重视审美与人生之关系、审美与社会之关系的深入思考。特别值得强调的是,他始终是以“马克思主义美学思想”作为文艺美学批判性建构的基础,因此,他的文艺美学探索具有特殊的思想与学术意义。
The study of Wang Yuanyan’s literary aesthetics thought needs to pay attention to three important sources of his thoughts, especially the relationship with the Kant-Hegelian aesthetic legacy. Wang Yuanyong attached great importance to the critical inheritance of “Hegelian-Marxist aesthetic thoughts” in the exploration of early literary aesthetics, and paid more attention to the critical inheritance of “Kant-Marxian Aesthetics” in the later period of literary aesthetics construction. He not only pay attention to the specific investigation of the aesthetic characteristics of literature and art, but also attach importance to the relationship between the aesthetic and the life, the relationship between the aesthetic and the society. What deserves to be emphasized is that he has always regarded “Marxist Aesthetic Thought” as the basis for the critical construction of literary aesthetics. Therefore, his exploration of literary aesthetics has special ideological and academic significance.