论六朝美学之总体特征和历史地位(下篇)

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论六朝美学之总体特征和历史地位(下篇)吴功正四六朝后为隋,隋代开始了对六朝文化、美学全面批判的时代。隋文帝杨坚代周称帝,便着手纠偏文风,“每念斫雕为朴,发号施令,咸去浮华。”开皇十四年(594),隋文帝下诏:“人间音乐流僻日久,弃其旧体,竞造繁声,浮... On the general features and historical status of the aesthetics in the Six Dynasties (Part Two) Wu Gongzheng was the Sui Dynasty after the Fourth and Sixth Dynasties. The Sui Dynasty began an era of comprehensive criticism of the culture and aesthetics of the Six Dynasties. Sui Wendi Yang Jian on behalf of the emperor, they began to rectify the style of writing, “every study 斫 carved for the Park, giving orders, salty to flashy.” Kai Huang fourteen years (594), Emperor Wen Xiazhao: "human music lonely, Abandoned its old body, competing for prosperity, float ...
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