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总结了音乐录音实践工作的一些经验,通过一些具体的现象,提出了解决录音场所的声学缺陷和不足、中高音过强、颤抖回声以及处理各乐器间的音色等实际问题的方法。
Summarizes some experiences of music recording practice, and through some concrete phenomena, puts forward methods to solve practical problems such as acoustic defects and deficiencies in recording sites, too high treble, trembling echoes, and sound processing between instruments.