当前,中国油画界逐渐从前些年的浮躁状态中沉静下来,大家从关心“画什么”“怎么画”转到普遍关心“画得怎样”。这个过程不能不说是油画界一个阶段性的进步。近几年,许多油画创作者不断深化油画本体语言,并持之以恒地在艺术规律上下功夫,力图赋予作品更为深厚的精神内涵与更为鲜明的时代气息。我们欣喜地看到,有些油画家在艺术上已经颇有斩获,逐渐形成自己独特的风格式样,艺术品格也日趋独立,中国油画家的个性特征与文化基因也日益在作 At present, the Chinese oil painting industry has gradually calmed down from the impetuous state of previous years, and everyone has shifted from paying attention to “painting” and “painting to painting” to “universal painting”. This process can not but say that the oil painting industry is a stage of progress. In recent years, many oil painting creators continue to deepen the ontology language of oil painting, and persevere in the art laws, trying hard to give the works more profound spiritual connotations and more distinctive flavor of the times. We are delighted to see that some oil painters have achieved great success in the arts and have gradually developed their own unique style. Their artistic style has also become more and more independent. The personality traits and cultural genes of Chinese oil painters are also increasingly being used