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长镜头理论被影视制作者广泛应用,最根本的原因是长镜头摄制方法和手段的内在优势被人们在实践中认可,越来越显示其实际价值。本文试从长镜头概念、长镜头的美学特质分析、类型和实际运用进行结合实例的分析中,探讨切磋,以求影视工作者提出不同见解。一、长镜头概念1945年,法国长镜头理论的奠基人安德列·巴赞发表了电影现实主义理论体系奠基性论著《摄影影象的本体论》,叫板传统的蒙太奇理论,是与之相对立的
The long shot theory is widely used by video producers, the most fundamental reason is that the inherent advantages of the long shot method and means recognized by people in practice, more and more shows its actual value. In this paper, the concept of long shots, long shots of aesthetic traits, types and practical use of the combination of examples of analysis, discussion, in order to film and television workers put forward different opinions. First, the concept of long shot In 1945, the founder of French long shot theory André Bazan published the foundation theory of film realism theoretical system “Ontology of photography image”, the traditional montage theory is the opposite phase Opposition