中国书法历史悠久,独具魅力。在其三千年的漫长发展过程中,曾迎来一个个鼎盛时期,也历经过一场场重大变革,书法艺术的形式与内涵在不断的变革与发展中变得日益丰富与完善起来。20世纪80年代,中国书坛步入一个新的阶段,由于人们的书写习惯有了颠覆性的改变,书法的实用价值几乎完全丧失。令人惊喜的是,书法不仅没有因此退出历史舞台,反而在缺失了传统的笔墨生存环境的情况下,华丽转身为一门独特的、高雅的、纯粹的艺术形式,实现了书法在当代的又一次复兴。在这场令人振奋的书法复兴中,书法展览承担了一个极其重要的角色,它既是书法复兴的伴生物,更是书法复兴的催化剂。当代书法的复兴,就是以书法展览的方式得到体现的。因此,客观地认识和评价当代的书法展览,深入了解展书法览机制下的展厅效应,对促进当代书法健康发展非常重要。 Chinese calligraphy has a long history and unique charm. During its long three-thousand-year development, it has ushered in a heyday and has undergone major changes in the field. The form and content of calligraphy art have become increasingly rich and perfected in the constant transformation and development. In the 1980s, the Chinese calligraphy book entered a new stage. Due to the subversive changes in people’s writing habits, the practical value of calligraphy was almost completely lost. Surprisingly, calligraphy not only did not withdraw from the stage of history, but in the absence of the traditional environment of ink and wash, gorgeous turn into a unique, elegant, pure art form, realized calligraphy in the contemporary A revival. In this exciting revival of calligraphy, the calligraphy exhibition has taken on an extremely important role. It is both a companion to the revival of calligraphy and a catalyst for the revival of calligraphy. The revival of contemporary calligraphy is reflected in the way of calligraphy exhibitions. Therefore, to objectively understand and evaluate contemporary calligraphy exhibitions and to deeply understand the exhibition hall effect under the exhibition calendar mechanism is very important for the healthy development of contemporary calligraphy.