一、引子近年来少数民族题材绘画屡见不鲜,对于中国工笔画的创作而言,少数民族题材同样有着更大的表现空间和发展空间。少数民族服饰已成为绘画有效表现民族文化的一个载体。然而,民族服饰的形成伴随着一个民族文明的产生经历漫长的历史过程。服饰上的装饰图案还是民族宗教信仰、图腾崇拜、文化审美理念上的反映,其造型、用色、形式构成往往可以借鉴或运用到画家的绘画创作中。 I. Introduction In recent years, ethnic minority subjects have become more and more commonplace. As for the creation of Chinese painting, minorities also have more room for performance and development. Ethnic costumes have become a vehicle for painting to effectively represent the national culture. However, the formation of national costumes accompanied by a national civilization experienced a long historical process. Ornaments on the costumes or ethnic religious beliefs, totem worship, cultural and aesthetic ideas on the reflection of the shape, color, form of composition can often draw or apply to the painter’s painting creation.