李修文,曾经以长篇《滴泪痣》《捆绑上天堂》让人惊艳:小说主人公们对于爱与死、爱与逃的生命沉醉和飞扬,小说叙事的唯美而诡异;李修文的文学出场,在现实主义,现代主义的文坛底色上,划出一道优雅的弧线(1)。当人们期待着作家继续他文学出场时期的写作惯性再创佳绩,李修文却成为文坛的失踪者。经历了十年的沉潜与漂泊,李修文再度出场。一部跨文体写作的散文集《山河袈裟》,“未结集时,单篇即已跨界流传”;一经出版,已经惹得文坛热议。 Li Xiuwen, once a long article, “Tears Moles”, “bundled with heaven,” amazing: the protagonists are flirtatious and flying for the life of love and death, love and flight, the novel narrative aesthetic and weird; Li Xiuwen literary appearances, In the realist, modernist literary background, draw an elegant arc (1). When people expect the author to continue his literary writing period of inertia and then create success, Li Xiuwen has become the disappeared literary world. Experienced a decade of potential and drift, Li Xiuwen again appearance. An essay collection of cross-styled writing, “Mountains and Rivers”, “Unblocked, single has spread across borders”; once published, has provoked hot debate in the literature.