纵观中国书法发展史,书体的演变、书体之间的相互包容,从最原始的状态中即已蕴含了彼此。如欧阳询的《九成宫碑》,其中就藏有北碑的痕迹,甚至有的点划都很相似;再如《张迁碑》,方峻隶书中饱含了篆书的写法,有的俨然就是篆书的结字。这样的例子还有很多,给我们研习楷书打开了思路,那就是无论主攻哪个书体都要学会融汇贯通,就如孙过庭《书谱》所云“草不兼真,殆于专谨;真不通草,殊非翰札”。前人对 Throughout the history of the development of Chinese calligraphy, the evolution of book style, mutual tolerance between book body, from the most primitive state that already contains each other. Such as Ouyang inquiry, “Jiucheng Palace Monument”, which contains the traces of the North Monument, and even some of the points are very similar; another such as “Zhang Qian monument,” Fang Jun script full of seal writing, some just like It is the character of seal script. This example there are many, open up the idea for us to study regular script, that is, no matter what the main body must learn to integrate, just as Sun Chaotian “book” by “grass is not both true, I am really not through the grass, especially non-Hanza ”. Former predecessors