中国人物画,成熟于战国,经历了六朝、唐、宋三个重大发展时期。 第一时期,魏晋纷乱年代,江南政冶、经济、文化发展较快,由于一些贵族、名上寄迹于画,形成风尚,出现了有明确画学思想作指导的人文绘画。题材有佛道、历史故实、风俗和肖像四类;手法有设色和单纯用墨的‘白画’;材料不仅用绢帛,还用纸、屏风、扇面作画。可惜这一时期实物遗存的少,只能从文字中略见一斑。 Chinese figure painting, mature in the Warring States period, experienced three major development periods of the Six Dynasties, Tang Dynasty and Song Dynasty. In the first period, in the chaotic times of the Wei and Jin Dynasties, the political, economic and cultural development in the southern part of the Yangtze River developed rapidly. As a result of aristocrats’ fame and origin, their paintings became a trend of fashion, and humanistic paintings with explicit painting ideas emerged. The theme is Buddhist, historical facts, customs and portraits of the four categories; practices are tinted and pure ink ’white painting’; material not only with silk and silk, but also with paper, screen, fan painting. Unfortunately, there was less physical remnant in this period, which can only be seen from the text.