论文部分内容阅读
石涛的艺术创作高峰主要在1697-1707这十年,即石涛身处扬州的晚期阶段,这是他现存作品数量最多的时期。通过从空间(画面中的点景人物的刻画以及画面色彩的运用)和时间(石涛在各个时期的自画像研究)对这些画作运用符号学的方法,即能指与所指,艺术的自指性研究石涛在其画作中符号学的应用,从而对石涛艺术有更全面的认识,阐述石涛作品内在精神——对士的解读及强烈的内在精神,并且努力掌握符号学的方法论。一、画面空间内的符号表现符号是某种事物的代号,而他的真正意义是采用对应的方式,把一个复杂的事物用简单的形式表现出来。符号的目的是为了表达和传达人的思想和感情,所以,符号就是人们为了传达思想和感情而创造的有意义的表现性物质,是同一个母题元素在不同文化情境中的表现,符号和符号文化演变的内在结构特征不同,形象造型不
Shi Tao’s peak of artistic creation was mainly in the ten years of 1697-1707, that is, Shi Tao was in the late stage of Yangzhou, which was the period with the largest number of his existing works. By applying semiotic methods to these paintings from the perspective of space (the portrayal of the scenery and the use of the color of the painting) and the time (the study of Shi Tao’s self-portraits in various periods), namely, the signification and the signification, the self- Studying Shi Tao’s application of semiotics in his paintings, and thus having a more comprehensive understanding of Shi Tao’s art, expounding the inner spirit of Shi Tao’s work, his interpretation of the poem and his strong inner spirit, and endeavoring to grasp the methodology of semiology. First, the symbol in the picture space Symbol is the code of something, and his real meaning is to use the corresponding way, to a complex thing in a simple form. The purpose of symbols is to express and convey people’s thoughts and feelings. Therefore, symbols are meaningful manifestations that people create in order to convey their thoughts and feelings. They are symbols of the same motif in different cultural contexts. Symbols and symbols The internal structure of symbolic culture evolves differently, and the image is not shaped