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东北戏剧小品作为一种幽默的舞台艺术形式,已经成为各种晚会不可缺少的节目。自上个世纪80年代起,小品登陆央视春晚,逐渐取代了相声在语言类节目中的统治地位。到了90年代,一批具有代表性的东北小品演员蹿红,小品正式成为各种电视晚会的“主菜”。在经历了巅峰的辉煌之后,观众的“笑点”越来越高,对小品的要求也越来越多,而创作乏力、题材单一、笑料低俗等窘况,却使小品难以完全满足观众们的审美需求。于是,东北戏剧小品陷入了低谷,
As a humorous stage art form, Northeast Drama Pieces has become an indispensable program for various evening shows. Since the 1980s, the essay has landed on CCTV Spring Festival Gala and gradually replaced the dominant position of Crosstalk in language programs. In the 90’s, a group of representative northeast comedian red, sketch formally become a variety of TV party “main course ”. After experiencing the peak of glory, the audience’s “jokes” are getting higher and higher, more and more requirements for the sketches, and the lack of creativity, the theme of a single, jokes vulgar and other embarrassing conditions, but the skit is difficult to fully meet the audience Their aesthetic needs. As a result, the Northeast Drama Pieces into a trough,