制作根艺应因材施艺,突出自然美,修饰与否,要看作品是否需要。如果这块根材不做任何修饰,已能达到形神兼备的效果,那又何必再作修饰呢? 世界上最可怕的就是孤独。我的微型根艺《孤鸣》,表现的就是一只孤独的白鹤,正在仰天长鸣,好似在呼唤同伴,又好似在对天长叹,表达了自己的孤独之情。整幅作品不剪不裁,不拼不接,不修不雕,整个身体由两根一枝组成。身体是一块根瘤,光洁如同鹤的羽毛,尖尖的嘴 Root art should be based on materials Shi Yi, highlighting the natural beauty, decoration or not, depending on whether the work needs. If this piece of root material without any modification, has been able to achieve the effect of both shape and spirit, then why make modification? The most terrible thing in the world is loneliness. My miniature root art “Alone”, the performance is a lonely crane, is skyward, seems to be calling on his companions, it seems like in heaven, expressed his loneliness. The entire work does not cut no cut, do not fight without, not repair without carving, the whole body consists of two branches. The body is a nodule, smooth as crane feathers, sharp mouth