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甲骨文入印是篆刻艺术里的一种特殊形式。为:战国古玺、秦汉印式、隋唐印式其构成印章艺术的主流,并成三足鼎立之势。古玺印的章法,可谓法无常势,文字风格各异,其章法如列国之兵家形势,布局排兵,各有所长。而甲骨文的章法,由甲骨文的字法特征而定,如秦汉印之章法是因汉印字体方整平直,故印章、章法以平正为主,以正气厚重为象。因甲骨文字法多变,故其章法可因形列阵,因字生势。这与古玺印自由之体势颇为类似,所以其章法大可借鉴古玺印之形式,根据普遍规律自成变化。其章法形式的探索可依据书论、印论之辩证关系展开探寻,可从疏密、收放、奇止、错落、大小、方圆等角度进行展开。
Oracle into India is a special form of carving art. For: Warring States ancient seal, Qin and Han Dynasties, Sui and Tang Dynasties Indian style seal the mainstream of its composition, and into the three pillars of the trend. Seal printed ancient seal method, can be described as immutable potential law, different writing styles, the rules and regulations such as the military situation of the nations, the layout of the troops, each has its own merits. The Oracle chapter method, by the inscriptions on the character of Oracle, such as the Qin and Han Dynasties seal method is straightforward because of the Chinese-Tibetan typeface, so the seal, the chapter law mainly to flat, with righteousness like. Due to the variety of inscriptions on the inscriptions on the oracle, so the rules and regulations can be shaped array, because of the characters potential. This is quite similar to the ancient imperial seal printing freedom, so its constitution can be borrowed from the ancient seal printing form, and changes according to universal laws. The exploration of the form of its chapters can be based on the dialectical relationship between Book Theory and Impressionism. It can be explored from the aspects of density, receptivity, oddness, patchwork, size, radius and so on.