“等待”作为一种人类共同经验的表达,经常作为“母题”出现在文学作品之中。就西方戏剧作品而言,“等待”母题在不同时代不同作品中自然有不同的内涵,本文即以“等待”母题统摄的三部代表作品——《群盲》《三姐妹》《等待戈多》为例,从“等待”母题的不同内涵、不同内涵的不同实现方式及不同内涵背后所蕴含的不同精神文学意蕴来解析西方戏剧作品中“等待”母题的三重不同维度。 “Waiting ” as a common expression of human experience, often as “motif ” appears in the literature. As far as the Western drama works are concerned, the motif of “waiting” has different connotations in different works of different ages. This article is based on the three representative works of “waiting for” motif - “group blindness” “Waiting for Godot” as an example, from the different connotations of “wait ” motif, different ways of realizing different connotations and the different literary implicatures contained in different connotations Three different dimensions of the question.