四、绳纹器物的绘制对绘图人员来说,绳纹的绘制是个难项。一般来讲,绳纹多出现于龙山时期延至战国时期的陶器上,战国以后就较少发现了。绳纹看似简单,实则毫无规律,就像人的指纹一样,天下没有相同的。为什么会这样呢?按理说,绳纹的制作无非是在尚有一定湿度的器物上碾压缠着绳索的棍棒。可是,绳索的粗细不同,压印出来的绳纹自然有粗有细,粗的轮廓分明,阳刚豪爽;细的绵延不断,阴柔妩媚。 Fourth, the drawing of juxtaposed artifacts Drawing staff, jomon drawing is a difficult item. In general, the jomon appeared in the Longshan Period until the Warring States pottery, less after the Warring States period was found. Jomon seems simple, but in fact there is no law, just like human fingerprints, the world is not the same. Why is it so? It stands to reason that the production of jacquard is nothing more than a certain degree of humidity on the utensils rolling compacted rope sticks. However, the thickness of the rope is different from the imprint of the jacquard naturally coarse and fine, coarse outline, masculine bold; fine continuous, feminine charm.