论文部分内容阅读
针对青年艺术家群体的选拔,市场的作用则更加明显。越来越多的情况是,画廊、拍卖行找青年批评家给他们选定艺术家的作品写点捧场评论,这种评论实际上已经沦为变相的商品广告,批评成为了一种可有可无的点缀。所以,面对艺术市场的火热,艺术批评显得越来越焦虑。在此情况下,“80后”的批评家该如何应对?“80后”应该批评什么?怎样批评?如何建立对青年艺术家群体的研究和阐释框架?本期我们邀请了五位“80后”的青年人针对“‘80后’批评什么”这一话题进行探讨,以期对当下的艺术创作和研究有所启发。
For the selection of young artists groups, the role of the market is more obvious. More and more, critics of galleries and auction houses find commendations by young critics for the works of their chosen artists, which in fact have become advertisements in disguise, criticizing it as a dispensable Embellishment. Therefore, in the face of fiery art market, art criticism is getting more and more anxious. In this case, how should critics after 1980? How should we criticize? How to criticize? How to establish a research and interpretation framework for young artists? In this issue, we invited five “After 80 ” young people ’80 ’ Criticism This topic explores, with a view to the current art creation and research inspired.