当美国女性主义批评家用“姐妹情谊”重建妇女文学传统之时,却把赛珍珠这位始终关注性别问题和书写女性命运的作家排除在自己的视线之外。本文以《群芳亭》为例,分析赛珍珠作品被女性主义批评家所拒斥的内在原因。研究发现,由于赛珍珠的跨文化的视角导致的对中国封建专制制度的误读,以及试图借助中国经验给美国女性解放之途提供启示,她的作品有时像是宣扬父权文化,自然就被排除在“她们自己的文学”之外了。 When American feminist critics rebuild the tradition of women’s literature with “sisterhood,” she excludes Pearl S. Buck, the writer who always focuses on gender issues and women’s destiny. This article takes “Qunfang Pavilion” as an example to analyze the intrinsic reason why Pearl Buck’s works were rejected by feminist critics. The study found that because Pearl Buck’s cross-cultural perspective led to a misreading of the feudal autocratic Chinese system and attempts to use Chinese experience to provide inspiration for the liberation of American women, her works sometimes seem to promote patriarchal culture and are naturally Excluded from “their own literature.”