Zhao Mianhao wrote 40 melodies and 63 Ci poetry. Among the known Korean Ci poets, Zhao is the most prolific one in both the application of Ci and the amount of works, which is ten more than that of Yi Ki Hyeng. Meanwhile, the qaulity of Zhao’s works is about the same with Yi Ki Hyeng’s, which makes Zhao the only poet who can be mentioned in the same breath with the latter in Korean Ci poets.Therefore, Mr. Che Zhuhuan says, "up by now, within the author’s scope of survey, Zhao can be considered as the most outstanding Ci poet after Yi Ki Hyeng." If we regard Yi Ki Hyeng as the representative writer of Unconstrained Ci School, Zhao will undoubtly be the representative of Wanyue Ci School. The paper tends to make some exploration and studies on acceptance.The paper is divided into six chapters. The first chapter is the introduction. The second chapter is about the background knowledge. In this chapter the writer mainly expounds the bringing in of Korean Ci poems and the writing of that in Koryo period and Yi Dynasty. It has maintained unknown when and how the Ci poems was brought into Korea up until now. However, China and Korea have a long history in cultural communication and what can be confirmed is that the Ci poems were introduced to Korea at the beginning of the China-Korea culture communication. Korean Ci poems writing firstly began in the court. In Koryo period, though the works of Ci poems was not that much, there still appeared some significant Ci poets such as Lee Gyu-Bo and Yi Ki Hyeng. During Yi Dynasty more Ci poets and Ci poems appeared, among which Zhao Mianhao and his works were the most excellent.The third chapter mainly introduces Zhao Mianhao’s life and his literary creations. Zhao lived in a very tense historical period. Consequently he showed strong concern with his country. Meanwhile he showed his critical knowledge about the Scholar-official Families in the capital. In the third part of the chapter, Zhao’ numerous Ci works is classified with the purpose of having a further understanding of the works and so as to get ready for the studies in Chapter four. Zhao’s Ci Poetry not only tops that of the other Korean Ci poets, but also it is abundance in contents.The forth and fifth chapter are the main body of the paper. Chapter four is divided into three parts. Zhao Mianhao is the very Ci poet who follows the rhyme of Ci poems of the Song Dynasty most. Moreover, when Mr. Che Zhuhuan comments on the characteristics of Zhao’Ci Poetry, he says, "Yuchu’s Ci Poetry is of Zhou Bangyan’s strict pattern and Li Qingzhao’s Subtle feature. Besides, he regulates and assimilates the styles of Su Shi and Qin Guan." Therefore this paper starts with Zhao Mianhao’s works responding by rhymes and discuss Zhao’s acceptance of the Ci poets such as Qin Guan, Li Qingzhao, Su Shi, Zhou Bangyan, etc. The last chapter mainly discusses the characteristics of Zhao Mianhao’s Ci poetry. First, Zhao Mianhao reasonably adopts the characteristics of the other Ci poets mentioned above and applies them into his own literary creation, which enable Zhao to forms his own style. Besides the acceptance of Chinese Ci poets, Zhao has his own special structures and patterns in Ci writing. Moreover, in this chapter the writer analyses Zhao’s preference to dream, which Zhao’s world view that life is but a dream.