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照相术自19世纪40年代传入中国,不同地域和阶层对其反应不尽相同,它在华的传播历程与西方资本主义在华侵略扩张以及近代中国的城市化进程基本同步。照相术进入中国社会后,受到了以绘画业为物化形态的中国传统文化模式的抵御和排斥,随着照相技术和设备的日臻发展,照相的优势日渐凸显并带动了中国传统绘画行业的改进,照相术也借此逐步融入中国文化事业、植根中国社会。照相术与近代中国社会的互动,实际上展现了近代中国人、中国社会对世界先进事物由排斥到接受的转变历程,也是近代工业文明改造中国传统农业社会、推动中国近代化的过程。
Since the introduction of photography into China in the 1840s, different regions and strata have reacted differently to each other. The spread of its photography in China basically coincided with the invasion and expansion of Western capitalism in China and the urbanization in modern China. After entering the Chinese society, photography has been resisted and repudiated by the traditional Chinese cultural model taking the painting industry as a materialized form. With the development of photographic techniques and equipment, the advantage of photography has become increasingly prominent and has led to the improvement of the traditional Chinese painting industry. Photography also take this step by step into the cause of Chinese culture, rooted in Chinese society. The interaction between photography and modern Chinese society actually shows the changing course of modern Chinese and Chinese society from rejecting to accepting advanced things in the world. It is also the process of modern industrial civilization reforming China’s traditional agricultural society and promoting China’s modernization.