京剧自形成以来,即处于中国社会转型中。然而京剧对此种转型,并未形成足够的免疫力。相反,京剧内部文化构成中本土文化传统从早期的占据决定地位,而日趋失落、冷落以至于没落。这一情形,从某种意义上说,正是京剧自身文化选择与环境适应的结果。在持续至今的社会转型中,京剧的应对方式,基本上呈现出一个从自觉选择到无奈跟从最终完全迷失的过程。 Since its formation, Peking Opera has been in the process of social transformation in China. However, this kind of transformation of Peking opera did not form enough immunity. On the contrary, the local cultural tradition in Peking Opera’s internal culture constitutes a decisive occupying position from the early stage, but it is becoming increasingly lost, neglected and declining. This situation, in a sense, is just the result of Peking Opera’s own cultural choice and adaptation to the environment. In the social transformation that continues to this day, the coping style of Beijing Opera basically shows a process that is completely lost from conscious choice to helplessness to follow.