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史前岩画是人类先民留下的文化遗产,是人类心灵成长与艺术生成的原初与本真形态。在遥远的过去,中非大地上的先民都有过形态丰富的岩画创作,其表现形式与精神追求,可谓同中有异,各呈奇境。本文以表现主义和自然主义之视角来观照中非岩画,探析其艺术情境与审美风格之差异。如果说中国岩画艺术是远古先民在天人之间建立起的一个精神阶梯和思想通道,是主观超越现实,心灵神游天地的表现主义创造,那么非洲岩画则是远古先民对这块大陆天地自然巨大力量的直接反映,是对动物精灵与人类生命活力的原始而直接的自然主义再现。
Prehistoric petroglyphs are cultural heritage left by human ancestors and are the original and true forms of human spiritual growth and artistic creation. In the distant past, the ancestors on the land of China and Africa all had the creation of rock-rock paintings of various forms. Their performance forms and spiritual pursuits can be described as different from each other, with each being in a strange situation. This thesis, from the perspectives of expressionism and naturalism, looks at the rock paintings in Central Africa and probes into the differences between the artistic situations and the aesthetic styles. If China’s rock art is a spiritual staircase and channel of thought established by ancient ancestors among heaven and human beings and is a creationism that surpasses the reality and the spiritual world, then the African rock paintings are the ancient ancestors’ The direct reflection of the tremendous forces of nature is the original and direct naturalistic reproduction of the dynamism of animal elves and human beings.