三岛由纪夫是日本近现代一位非常重要的作家,中日有许多学者研究其作品。至今对三岛的作品研究多集中在《金阁寺》《潮骚》《丰饶之海》等代表作,且多着眼于三岛由纪夫的美学观。事实上,三岛自己也提到过,其创作受到了西方存在主义等哲学思想的影响,再加上三岛自己本身的经历,才有了无数充满三岛式悲剧色彩的作品。本文用尼采在《悲剧的诞生》一书中提到的“日神精神”和“酒神精神”对三岛的《午后曳航》这部作品进行解读,试图从西方哲学思想的角度,来重新解释三岛由纪夫作品中的悲剧,并探讨三岛作品与西方哲学思想的联系。 Yukio Mishima is a very important writer in Japan’s modern history. Many scholars in China and Japan have studied their works. So far his works on Mishima are mostly concentrated on such representative works as “Golden Pavilion Temple”, “Chasao” and “Sea of ​​Forbidden Sea”, and more, they focus on the aesthetic view of Yushima Mishima. In fact, Mishima himself also mentioned that his creation was influenced by philosophical ideas such as Western Existentialism. Together with Mishima’s own own experience, there were numerous works full of Mishima’s tragedy. In this paper, Nietzsche in the “birth of a tragedy,” a book mentioned in the “Spirit of God” and “Dionysian spirit” on the island’s “afternoon drag” this work is interpreted, trying to Western philosophy of thought Angle, to reinterpret the tragedy in Yukio Mishima’s works and discuss the connection between Mishima’s works and western philosophy.