回到群众中去,这是九十年代第一个春天在文学艺术界十分感人的动势。按说,戏剧艺术本来是拥有众多的群众参与创造、欣赏和娱乐的形式,与人民群众生生息息同在同进的艺术,不应该有脱离群众的事情发生。但近几年,群众与戏剧艺术之间却发生了不小的隔隙;群众感到没戏看,戏剧感到没群众。最惹眼的有两种现象:一是贵族化倾向,一是庸俗化倾向。前者主要表现为戏剧脱离现实,走向古堡,回到历史,反映“自我”,只是作家艺术家自己 Returning to the masses, this is a very touching move in the literature and art circles in the first spring of the 1990s. It is said that the art of theater has always been a form of art with a large number of people participating in the creation, appreciation and entertainment, and the people’s livelihood with the development of art. Art should not be divorced from the masses. However, in recent years there has been no small gap between the masses and theatrical arts; the masses feel that no drama is played and that the drama does not feel the masses. The most eye-catching two phenomena: First, the tendency of aristocracy, one vulgar tendencies. The former mainly shows drama away from reality, toward the castle, back to history, reflecting “self”, but the writer himself