说起香港电影,普遍认为是好莱坞的成功翻版,但除了好看,娱乐价值高以外,影视圈中人士对其艺术性往往可陈。随着《新龙门客栈》、《黄飞鸿》等影片在大陆上映,我们认识了香港电影的风云人物——徐克。殊不知这些叫好叫座的影片几乎全是采用新瓶装旧酒的形式,将旧的热门片加以现代的包装和阐释,以全新面目出现在观众眼前。这种创作方式显示出香港影坛的题材危机,却也令我们 Speaking of Hong Kong movies, generally considered a Hollywood successful copy, but in addition to good-looking, high entertainment value, the film and television circles of their artistic often. With the release of “New Dragon Inn” and “Huang Feihong” on the Mainland, we have known Hong Kong filmmaker Tsui Hark. Little do they know these films are applauded almost entirely in the new bottle of old wine in the form of the old popular film to modern packaging and interpretation of a new look in front of the audience. This creative approach shows the theme of the crisis in Hong Kong movie, but also make us