陈永正的诗词,在海内外当代诗人中久享盛誉,但学术批评一直“遗忘”着他,原因是他既作新体诗又作旧体诗词,却非职业作家。而现代学术研究特别讲究“分野”、“圈子”:现当代文学研究不管旧体诗词,古代文学研究不管当代作家,而学者的创作则又常常为其学名所掩。本文认为:陈永正是当代重要诗人,其新、旧各体诗词俱臻一流。其新体诗是当代文学不言爱情时代的爱情诗,是“文革”后期最早的朦胧诗,其艺术表现方式在当时比较前卫;其旧体诗词体制纯正,诗情醇至,诗法娴熟。 Chen Yongzheng’s poem has long enjoyed a good reputation among contemporary poets both at home and abroad, but his academic criticism has always been “forgotten” because he is both a new body poem and a verse, but not a professional writer. Modern academic research pays special attention to “the field of separation” and “the circle”: modern and contemporary literary studies, regardless of old poems, ancient literary studies regardless of contemporary writers, and scholars’ creations often mask their scientific names. This article argues that Chen Yongzheng is an important contemporary poet and his new and old poems are all excellent. The new style poetry is the love poem in the era of love of contemporary literature and the earliest obscure poem in the later period of “Cultural Revolution”. Its artistic expression is relatively avant-garde at the time; its old poetic system is pure, poetic, poetic skilled.