当1992年把创办全国唯一的，以单一剧种京剧作为办刊对象的公开刊物的任务落到我们头上时，引发了深深的思考。京剧是中国戏曲剧种的重要组成部分，是民族优秀文化的杰出代表，这是毋庸置疑的。但要对京剧深入剖析，从宏观、微观，联系它的生存环境、从业人员、接受对象等加以 When the task of setting up the only public publication in the nation to run a single opera Peking opera in 1992 came to our attention, it triggered deep thoughts. Peking Opera is an important part of the Chinese opera genres and is an outstanding representative of the excellent national culture. This is beyond doubt. However, we should conduct an in-depth analysis of Peking Opera from the macroscopic and microcosmic perspectives, and connect it with its living environment, practitioners and recipients