二十一世纪初流行文化中的黑客形象,现在看起来既过时得可笑又有些出其不意的前瞻性。一个动作英雄迷在城市的某处黑暗角落闯入系统主机,这一赛博朋克式的幻想,与科技在我们今天的生活中无处不在又有些稀松平常的角色形成了强烈的反差。与此同时,硅谷“火人节”(译注:一年一度在美国西部沙漠里举行的嬉皮狂欢节)的一面则展现出从经典漫画或90年代B级片那里复制过来的技术宅与享乐主义的混合体。但是,这些对于黑客的理解并不能解决以下两者之间的脱节:他们的行动所代表的 The image of hackers in pop culture in the early 2000s now looks outdated ridiculous and somewhat unexpectedly forward-looking. An action hero robs the system host in a dark corner somewhere in the city, a cyberpunk-like fantasy that contrasts sharply with the ubiquitous and somewhat common characters of technology in our lives. In the meantime, the Silicon Valley Fire Man Day showcases technology copied from the classic comics or the ’90s’ B-Class film, on the side of the annual Hippie Carnival in the American West Desert. And hedonism mixture. However, these hacker understandings do not address the disconnect between the following: what their actions represent