由于文化背景的不同,以京剧为代表的中国戏曲与西方戏剧无论是在理念还是在形式上都有着巨大的差距。因此,当用京剧的形式来改编易卜生剧作的时候,文化的差距便会顽强地突显出来。本文针对上海戏剧学院戏曲学院的京剧改编《培尔·金特》一剧,分别从审美观、主题以及文本形式等方面进行比较分析,探讨其中的东西方文化的冲突与融合。 Due to the different cultural backgrounds, Chinese opera and western drama, represented by Beijing Opera, have a huge gap both in concept and in form. Therefore, when using the form of Peking Opera to adapt Ibsen’s play, the cultural gap will be tenaciously highlighted. This article aims at the drama Peirkin’s adaptation of Peking opera from the drama academy of Shanghai Theater, comparing and analyzing the aesthetic, thematic and textual aspects respectively to discuss the conflict and integration of Eastern and Western cultures.