《游吟诗人》是50年代威尔第著名三部歌剧的第二部。此歌剧是该作曲家在浪漫歌剧风格中成就的巅峰,也是该领域的一个里程碑。据萨卡洛(O.Sakalo)说,在《游唱诗人》与其他两部歌剧《弄臣》和《茶花女》比较时,可以发现更多的特殊之处。在《弄臣》和《茶花女》中描述的是一个主角相关的命运,而《游唱诗人》包含两条线的发展,因此打破了单一主角抒情剧的限制。威尔第根据西班牙话剧创作歌剧的想法早在创作《弄臣》半年前就出现了。《游唱诗人》剧本中老吉普赛女人的形象吸引了 Troubadour is the second of the three famous operas of Verdi in the 1950s. This opera is the pinnacle of the composer’s achievements in the romantic opera style and a landmark in the field. According to O. Sakalo, there are more specialities to be found when the “wanderer” is compared with the other two operas “jester” and “La Traviata”. Described in The Jester and The Lady of the Camellia is a protagonist-related fate, and “wanderer poet” contains two lines of development, thus breaking the limitations of single-character lyric play. Verdi’s idea of ​​creating opera based on Spanish dramas came about six months before the creation of the jester. The image of the old Gypsy woman is drawn to the playwright script