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鲁迅的社会思想感受太强烈了,使得在那些少而精的景物描写中多带有主观色彩、社会含义和象征性能。景物描写中时时带有先生独特的精神印迹,与其作品所表现出的内涵的深刻性和沉痛的揭示性相映衬,决定了其作品在美学风格中的冷色调,同时,也显示出一种言简意赅的简洁美。不论《在酒楼上》鲜明美丽的景物描写,还是《祝福》和《药》以及用回忆奏响情感旋律的《故乡》和《社戏》,总之,他这种强烈的责任感决定了其作品不可能不结成以理性为坚核的涩果以及美学风格中的冷色调。而毛泽东主席给予的“鲁迅的方向是中华民族新文化的方向”的评价是不言而喻的了。
Lu Xun’s feeling of social thought is so intense that it makes subjective, social implication and symbolic performance among those less beautiful scenes. Scenery with his unique spiritual imprint from time to time, with the depth and painful revelation of his works, to determine the cold tone of his works in the aesthetic style, but also shows a concise The simple beauty. Regardless of the beautiful and beautiful scene description of “at the restaurant”, or the “hometown” and “social drama” of “blessing” and “medicine” and the emotional melody of memories, in short, his strong sense of responsibility determines that his works are impossible Not formed as a solid astringent nuclear fruit and aesthetics cold tone. The evaluation given by Chairman Mao Zedong for “the direction of Lu Xun is the direction of the new culture of the Chinese nation” is self-evident.