过去提及肌理一词,会自然联想肌肤纹理。自从三大构成理论在中国各美术院校占一席之地后,对它的认识才趋于全面,应用价值也得以重视。 泛义讲所谓肌理是指物体表面质的纹理特征,特征相同者肌理相同,不同者肌理则不同。缤纷世界,多姿多彩,物具其形,形具其貌,人们对物态的干、湿、软、硬、粗、细、光滑、毛涩、规律、杂乱等特征是通过视觉或触觉因素来达到感知的,如果形态不能被感觉就不能成其形,没有肌理就没有视觉形象。 纵观所有的物态肌理特征,无不依触觉肌理或视觉肌理而表现出来,有平面的,有立体的,还有平面立体并存的。肌理细致入微地反映了大千世界不同物体的差异,正是这种差异,为人们认识物态肌理提供了依据。人们通过色彩达到视觉对肌理的认识,通过物体的体积达到触觉对肌理的认识。 归纳起来,肌理可分为两大类,即天然肌理和人为肌理。天然肌理是客观的存在,自 In the past, the word texture was naturally associated with skin texture. Since the three major constitutional theories have taken a place in art academies in China, their understanding has become more and more comprehensive, and application value has also been taken seriously. Pan-talk about the so-called texture refers to the texture of the texture of the surface texture of the same characteristics of the same texture, different texture is different. Colorful, colorful, with its shape, shape its appearance, people on the state of dry, wet, soft, hard, coarse, thin, smooth, hairy, regular, messy and other features through visual or tactile factors To achieve the perception, if the form can not be felt can not be shaped, no texture there is no visual image. Throughout all of the physical texture features, all based on touch texture or visual texture and manifested, a planar, three-dimensional, there are three-dimensional plane coexist. The detailed texture reflects the differences among different objects in the world. It is this difference that provides a basis for people to understand the state of matter. People through the color vision to achieve the understanding of the texture, through the volume of objects to achieve the sense of touch on the texture. To sum up, texture can be divided into two categories, namely, natural texture and artificial texture. Natural texture is an objective existence, since