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本文分析阐述了现代主义艺术的文化特征，认为针对启蒙的理性精神及由此造成的怀疑主义和虚无主义，现代主义致力于文化价值的重建，因而在精神倾向上是反现代的；而另一方面，现代主义艺术又顺应现代性的要求，在表达形式上采取技术主义和语言论的立场，以不断更新和变换着的形式延续着它对传统的反叛。这一矛盾支配着现代主义的发展轨迹：早期的现代主义艺术家将其语言的探索建立在本质论或本体论的基础上，力图通过艺术的视界展开或重建一个理想的世界。但是，当现代主义艺术彻底摆脱了对世界的兴趣，并最终耗尽了它的形式上的可能性时，也就宣告了自己的终结。
This article analyzes and expounds the cultural characteristics of modernist art. In view of the rational spirit of enlightenment and the resulting skepticism and nihilism, modernism devotes itself to the reconstruction of cultural values and is therefore anti-modern in spiritual tendencies. The other In terms of modernist art, conforming to the requirements of modernity, it adopts the position of technicalism and linguistics in terms of its form of expression and continues its tradition of rebellion in a constantly updated and changing form. This contradiction dominates the trajectory of modernism: early modernist artists based their exploration of language on the basis of essentialism or ontology in an attempt to expand or rebuild an ideal world through the visual field of art. However, when the modernist art completely freed itself from its interest in the world and eventually exhausted its formal possibilities, it declared its own end.