活色生香的中国传统花鸟画,大多以花卉为基调,再配以鸟、兽、虫、鱼等形象来营造鸟语花香的意境。它的分科工笔花鸟画艺术源远流长,其始于唐代,成熟于五代,鼎盛于两宋。到明清后,因文人写意花鸟画的兴起,工笔花鸟画日渐式微。直至近现代于中外文化交流的碰撞中,在于非闇、陈之佛、田世光、俞致贞等诸位绘画大师的共同努力下,工笔花鸟画的创作才获得了长足的发展。其中20世纪中国工笔花鸟画坛的领军大家之一,被李可染誉为“当代工笔花鸟女状元”的俞致贞,就功不可没。 Most of the traditional Chinese paintings and calligraphies that live in vivid colors and fragrances are based on flowers and are matched with the images of birds, beasts, insects and fish to create the artistic conception of flowers and birds. Its branch of the pen and ink art has a long history, which began in the Tang Dynasty, mature in the Five Dynasties, flourished in the two Song. After the Ming and Qing dynasties, due to the rise of the freehand bird and flower paintings of the literati, meticulous flower and bird paintings gradually declined. Until the collision of Chinese and foreign cultural exchanges in modern times, with the joint efforts of master painters such as Non-Dark, Chen Zhifu, Tian Shiguang and Yu Zhizhen, great achievements have been made in the creation of meticulous flower and bird paintings. Among them, one of the leaders of the 20th century China’s finest flower and bird painting circles is Yu Dizhen, who was rewarded by Lee as “the contemporary champion of women and flowers”.