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历史如同一本带着锁钥的卷牍/其中蕴含着人伦往事的神秘与社会变迁的流迹/艺术家喜欢寻访一些并不如烟的往事/从中觅出古往与今来的些微联系/近来/艺术家徐唯辛致力于为平凡而阵容庞大的“草根阶层”绘像/大规模地重塑历史中国众生百相/颠覆了我们古往今来一以贯之的英雄观/放大历史中平凡的个体/对近代美术史卓有研究的王明贤先生与艺术家徐唯辛的这次对话/可以看作是面对历史有感而发/通达淡然的王明贤先生遇到激情而为的艺术家徐唯辛/谈话在一张一弛间流露出对艺术的执著与用心。王明贤:近年来你的作品有了很大的变化。作为当代现实主义绘画的重要画家,你为什么一改从前一贯的叙事方式,改画大幅的肖像?徐唯辛:我这几年画矿工,跑到煤矿体验生活,拍了很多矿工图片。在电脑屏幕上看图时,发现矿工乌黑脸部特写的震撼力,当时心里很激动,我想干脆画超大尺幅的肖像,也许效果会好过大场面的老套路。现在总是用2．5米×2米的固定尺寸。画大画让我有一种释
History is like a coined lock / which contains the mystery of human relations and social movement / artists like to look for some bad things / to find the past and present some contact / recent / artist Xu Weixin devoted himself to depict the ordinary grassroots “grassroots” images / remodeling the Chinese history of all living beings on a large scale / subverting our consistent view of the hero from the past to the present / magnifying the ordinary individuals in history / studying the history of modern art history The dialogue between Mr. Wang Mingxian and artist Xu Weixin can be seen as an encounter with passionate artist Mr. Wang Meixin in the face of historical feelings / conversation Xu Xu-xin / Conversation in passion shows art’s dedication and intentions . Wang Mingxian: Your work has changed a lot in recent years. As an important painter in contemporary realist painting, why did you change the usual narrative style and change the sharp portrait? Xu Weixin: In the past few years, I have painted miners and went to the coal mine to experience life and took lots of miners’ pictures. When I saw the picture on the computer screen, I found the shocking force of miners’ dark face close-ups. At that time, I was very excited. I just wanted to draw an extremely large portrait, maybe the effect would be better than the old one. Now always use a fixed size of 2.5 m × 2 m. Painting a big picture so I have a release