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我国喜剧创作在新时期出现了前所未有的繁荣景象,取得了可喜的成果。然而,我国的喜剧美学理论研究还是一个薄弱环节。为了推动喜剧美学研究、繁荣喜剧艺术创作,总结新时期十年来我国的喜剧理论研究和喜剧文艺创作的成果,对喜剧美学的基本问题进行探讨和争鸣,并对今后喜剧美学和喜剧文艺的发展趋向作出展望,由陕西省艺术研究所、西安市戏剧研究所、陕西电视台、中国剧协陕西分会及《文艺研究》编辑部等九个单位联合发起,于去年12月23日至27日在西安召开了第二届全国喜剧美学学术讨论会。来自全国各地及海外的文艺理论家、作家、表演艺术家和其他方面的代表共150余人出席了会议。吴
China’s comedy creation in the new era there has been an unprecedented prosperity, has made gratifying achievements. However, the study of comic aesthetics in our country is still a weak link. In order to promote the study of comic aesthetics and prosper the comic art creation, summarize the achievements of comic theory research and comedy literary creation in our country in the new period, discuss and contend for the basic problems of comic aesthetics and expound the development trend of comedy aesthetics and comedy literary and art in the future To make a forecast, jointly sponsored by nine units such as Shaanxi Provincial Institute of the Arts, Xi’an Theater Research Institute, Shaanxi TV Station, Chinese Opera Association Shaanxi Branch and Editorial Research Department of Literature and Art, held in Xi’an from December 23rd to 27th last year The second national comic aesthetics seminar. Over 150 participants from literary theorists, writers, performing artists and other parties from all over the country and overseas attended the conference. Wu