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近些年来,在重要的美展和画刊上频频见到赵君超的油画作品,很是引人注目。在他广泛的创作题材中戏剧人物是他的最爱,以其大刀阔斧,随心所欲,图式化为典型特征,给画面注入了精神内涵,在作品《大将张飞》、《取洛阳》中流露了新表现主义的画风,吸纳了中国画的写意精髓,并反映了其独特的思维方式,一笔下去酣畅淋漓,色调松弛有致,巧妙地运用画布底色,随意勾勒,流淌自然,面与线交相辉映,刀笔兼用,薄厚适度,任情感自由挥洒。尤为突出的是他把整个画面作为表现情感的终极目标,每一块图形的设置、
In recent years, Zhao Juchao’s oil paintings have been frequently seen in important art exhibitions and paintings, attracting much attention. In his wide range of creative themes, the dramatis personae is his favorite, with its drastic, arbitrary and schematized as the typical features, to inject the spiritual connotation of the screen, in the works “General Zhang Fei”, “Luoyang” revealed The expressionism of the new expressionism absorbs the freehand essence of the Chinese painting and reflects its unique way of thinking. With a single touch of heart, the colors are relaxed, the background of the canvas is cleverly sketched, natural flowing, , Knife and pen both thin and moderate, any emotion free sway. Particularly prominent is that he took the whole picture as the ultimate goal of expressing emotion. Each piece of graphic setting,