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电影《教父》作为新好莱坞电影的代表性作品,一直以来被誉为黑帮电影的典范。而究其小说原著却是一部不折不扣的通俗文学。1971年,时年32岁的导演科波拉将《教父》搬上大银幕的同时也将这一畅销小说打造成了影史上难能可贵的经典。从文本到影像,电影的创作者们完成了一次经典的二度创作,而这其中当属对人物形象的再塑造尤为精彩。本文就尝试从人物形象塑造技巧的角度,解读电影《教父》中维多·科里昂这一人物的艺术魅力。
The film “The Godfather,” as a representative of a new Hollywood movie, has long been hailed as a model for gangster films. However, the origin of the novel is an out-and-out popular literature. In 1971, when director Coppola, 32, brought “The Godfather” to the big screen, it also turned this best-selling novel into an impressive classic in the history of film and television. From texts to images, the film’s creators have done a second-class classic creations, and this is undoubtedly a re-shaping of the characters. This article attempts to interpret the artistic charm of the character Vivid Corleone in The Godfather of the Film from the perspective of the figure-building skills.