论文部分内容阅读
名著《巴黎圣母院》通过对克洛德·浮罗洛这一形象的塑造,在更深层次上表现了宗教对于人性的压抑、扭曲,从而体现作者揭露“宗教的桎梏”这一创作主旨。
The famous “Notre Dame de Paris” through the shape of the image of Claude Flooring in a deeper manifestation of religious suppression of human nature, distorted, which reflects the author exposed the “religion” of the creation of the main theme.