论文部分内容阅读
作为纪录片栏目,央视的《见证·影像志》可谓特点鲜明。本期“解析名栏”刊登了常仕本的文章《〈见证·影像志〉:对历史的影像化解读》和姚友霞的文章《用影像打捞记忆用消逝见证变迁》。前文借用“影视史学”和“书写史学”的概念,探讨了《见证·影像志》所播出的纪录片在创作理念及表现手法上的特点;后文从可操作性的层面,阐述了《见证·影像志》在选题角度、叙事结构、影像支撑等方面的策略。两文对读者认识和了解该栏目不无裨益。
As a documentary section, CCTV’s “Testimonies, Images, Records” can be described as distinctive. This issue of “Analytical Name Column” published Chang Shihben’s article “Witnessing and Imaging”: An Interpretation of History and Yao Youxia’s Essay “Eradicating Evidence of Vain Memory with Images.” In the previous article, I borrowed the concept of “history of film and television” and “history of writing” to discuss the characteristics of the documentary produced in “Witness and the Image Record” on the creative concept and expression technique. From the operational level, It elaborates the tactics of “Witness and Photograph” in terms of topic selection, narrative structure and image support. Two articles on the reader to understand and understand this section is not without benefit.