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本文从吐温与他笔下的人物——哈克人生轨迹的反差入手,借助文化批评中的“怀旧”概念,结合社会历史分析,对小说的内涵进行全新的阐释。主张因无力改变中产阶级夹心层处境导致的身份困惑,吐温在小说中利用怀旧策略的补偿、慰藉作用,塑造了一个只可能存在于对过去想象中的,一个至真至纯的哈克,在虚拟的世界中实现了自我的统一。这一发现揭示了吐温试图超越不利阶级处境所采取的话语策略,为深入理解小说的主题及文化意义提供了一个全新视角。
Starting with the contrast between Twain and the character of his life, Huck’s life trajectory, this article uses the concept of “nostalgia” in cultural criticism and analyzes the social history to completely explain the connotation of the novel. Advocating for the inability to change the confusion caused by the middle class, Twain made use of the compensatory and comforting effect of nostalgia in the novel to create a genuine and pure Huck that could only exist in the imagination of the past. In the virtual world to achieve self-unity. This discovery reveals the discursive tactics Twain tries to surpass the disadvantaged position and provides a completely new perspective for understanding the theme and cultural significance of the novel.