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本文以多年田野调查为依据,除将我国东北地区满、蒙、达斡尔、鄂伦春、鄂温克、赫哲等民族世代所保留的萨满神柱崇拜祭礼文化内涵做详实阐述外,介绍了环太平洋地区日本、韩国、俄国西伯利亚地区诸民族神柱文化,并与北美印第安、非洲、澳大利亚土著民族的图腾形态进行比较研究,进而揭示了中国北方诸民族世代传承的萨满神柱文化特质与独特的艺术魅力。近十余年来,在北方诸民族中陆续发现了石雕或巨木刻成萨满神柱实物。特别是发现了满族萨满传世的镌刻神柱的《图喇秘诀》二十二篇,填补了我国图腾文化艺术宝库,为丰富我国北方民族文化做出可喜的贡献。中国满族等诸民族萨满神柱,乃至亚洲一些国家萨满神柱祭礼形态,仍是现实萨满活态文化中值得重视的组成部分,是研究环太平洋地区萨满文化最直接的形态表现。
Based on years of fieldwork, this paper elaborates the cultural connotation of the worship of the Shaman goddess worship preserved in the Manchurian, Mongolian, Daur, Oroqen, Ewenki, Hezhe and other ethnic groups in northeast China. In addition, South Korea and Russia Siberia, and compared with the totem patterns of Indigenous peoples in North America such as India, Africa and Australia, and then revealed the cultural traits and unique artistic charm of the Shaman godpiles inherited from generations to generations in northern China. In the past ten years or so, stone carvings or giant woodcut carvings have been found in the northern ethnic groups. In particular, he found twenty-two Tura-sa tips of engraved sacred columns handed down by the Manchu shaman and filled the treasures of the totem culture and art in our country and made gratifying contributions to enriching the northern ethnic culture of our country. Chinese Manchu and other ethnic shaman gods, as well as some Asian shaman sacrament form, is still the real shaman live culture is worthy of attention is part of the study of the Pacific Rim Shaman culture the most direct form of performance.