魏明伦、南国编剧的川剧《巴山秀才》,立在一个皓首穷经、八股制艺的秀才身上,很有批判的意味。然而,其经典性的关键,显然更在于它巧制逆转的批判结构、紧扣人物的叙事安排和独具特色又大胆包容的舞台呈现上。由四川省川剧院演绎的川剧《巴山秀才》,把这一经典文本演绎得荡气回肠、特色鲜明,尤其是收放自如的人物塑造,让人印象深刻。2010年,台湾的李宝春先生曾携京剧版《巴山秀才》在北京梅兰芳大剧院演出,获得巨大成功。京剧自身的规范性,给出了一个节奏紧凑、唱念爽利的叙事流,给人的印象是整饬的。川剧 Weiming Lun, Southland screenwriter Sichuan Opera “Bashan scholar”, stood in a Haoshouqiujing, Octopus art scholar who, very critical. However, the key to its classicness lies obviously in its critical structure of reversal of tactics, its close-knit narrative arrangements and its unique and bold stage presentation. The Sichuan Opera “Bashan Scholar”, a Sichuan opera performed by the Sichuan Provincial Theater of Sichuan Province, made the classic text a soul-stirring one with distinctive features. In 2010, Li Bao-chun from Taiwan performed with the Beijing Opera version of “Bashan Scholar” at the Mei Lanfang Grand Theater in Beijing and achieved great success. Peking Opera’s own normative, gives a rhythm compact, elegant and refreshing narrative flow, gives the impression that the rectification. Sichuan Opera