“印象”是京剧“印象《墙头马上》”与其他“墙剧”改编本的最大差别。在与原作的关系上,遗貌取神,是一种印象式改编,在艺术表现上,追求感性、情绪、氛围等印象式表达,元杂剧文化再生中“印象”模式的基本特点在此剧中得到充分而近乎完美的表现。 “Impression ” is the biggest difference between “” and other “wall play ” adaptation of the Peking Opera “Impression ” wall immediately. In terms of the relationship with the original works, the appearance and the appearance of God are an impromptu adaptation. In artistic expression, the pursuit of the impression expression of emotions, emotions and atmosphere is the basic characteristic of “impression ” pattern in the cultural reproduction of Yuan Za The show is full but near-perfect performance.