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中国古代诗歌传统主流以追求诗歌的自然天成为上,不喜欢有明显雕琢的痕迹。而“鬼才”李贺则追求一种“笔补造化”的人工思力,“字字都敲打得响”,使诗歌深深印上诗人的痕迹。文章主要分析了“鬼才”李贺这种极端边缘化的诗歌手法。
The traditional mainstream of Chinese ancient poetry became the pursuit of poetry in the natural world, does not like to have obvious traces of carving. The “ghost” Li He is the pursuit of a “pen to create” the artificial thinking, “all the words are beating loudly” so that poetry is deeply printed on the traces of the poet. The article mainly analyzes the extremely marginalized poetic techniques of “the devil” Li He.