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每一位画学中人想必都经过临摹、写生、创作这一探索之路。通过对物象的基本观察和对艺术技巧的磨练,探知古今画法、画理之深奥,从传统文化的继承与发展,现代文化的观念与出新的情节中,在艺术法度中,去寻找借鉴属于自己施展的范畴。从中学时代起我以临摹连环画和学习中国人物画起步,80年代后期我开始转向学习山水画,从临摹芥子园入手经过写生、临摹,临摹、写生的单一过程,逐渐深入到水墨山水的创作实践中。90年代中期开始对中国现代绘画新图式和新水墨进行探讨,创作以《深山奇秀》、《荒野清秋》等作品为代表的现代山水画系列,引发了我对中国画艺术本质的思考。
Every artist in the painting must have gone through the process of exploration, sketching and creation. Through the basic observation of objects and the tempering of artistic skills, we can find out the esoteric techniques of ancient and modern painting. From the inheritance and development of traditional culture, the concept of modern culture and new plots, Draw on their own display category. Since middle school, I began to copy comic books and learn Chinese characters. In the late 1980s, I started to study landscape painting. From the process of sketching Mustard Seed Garden, I went through a single process of sketching, copying, copying and sketching. . In the mid-1990s, I started to explore new patterns and new ink paintings of modern Chinese painting, and created a series of modern landscape paintings represented by works such as “Beautiful Mountains in the Mountains” and “Qing Qing Qiu Qiu”, which inspired my thinking on the essence of Chinese painting art.