论文部分内容阅读
随着明清文人画的兴盛,本为抒情写意的书法逐渐受到关注,至清中后期引书入画的思潮蔚然成为了文人画的主流,这导致文人画和画工画界限的消除,为画工引书入画而成为文人画家提供了契机,也为清末御窑厂的粉彩画师转型成为民间浅绛彩文人画家奠定了基础。明清引书入画思潮促使了浅绛彩的出现,也促进了陶瓷绘画的艺术性和独立性。这一探究对于我们在新的历史时期推进陶瓷绘画的发展有着重要的意义。
With the prosperity of the literati painting in Ming and Qing dynasties, the calligraphy for lyricism gradually became the focus of attention. By the late Qing dynasty, the trend of drawing books and drawing pictures became the mainstream of literati painting, which led to the elimination of the boundary between literati paintings and paintings. Book into the painting and become a literati painter provides an opportunity, but also for the late imperial kiln artist pastel artist transition to folk shallow purple color literati painter laid the foundation. The trend of drawing books and drawing paintings in the Ming and Qing dynasties led to the emergence of the light purple color painting and also promoted the artistic and independence of ceramic painting. This exploration is of great significance for us to promote the development of ceramic painting in the new historical period.