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上世纪三十年代初,吴湖帆、张大千、齐白石、黄宾虹、张泽、郑午昌、冯超然、徐悲鸿、刘海粟、傅抱石、关良、林风眠、贺天健、汪亚尘、吴琴木、钱瘦铁等满怀蓬勃的朝气、不可遏制的能量,义无反顾地登上了海上画派的艺术舞台。海派第二代艺术家在中华民族最为艰难的岁月里,在硝烟四起的华夏大地上,用文化人的气节、秉赋、定力与韧性,佑我中华艺术,传承人文精神,陶冶思想情操,在民族艺术发展史上留下电光火石般的精勤探索,一大批堪称经典的铭心力作的源源问世,
In the early 1930s, Wu Hufan, Zhang Daqian, Qi Baishi, Huang Binhong, Zhang Ze, Zheng Wuchang, Feng Chaoran, Xu Beihong, Liu Haisu, Fu Baoshi, Guan Liang, Lin Fengmian, He Tianjian, Wang Yashen, Wu Qinmu and Qian Shoutie were full of vitality , Can not contain the energy, hesitate to board the art scene of the sea school. In the most difficult years of the Chinese nation, the second generation of Shanghai artists used the human spirit, moral integrity, determination and resilience of the human being, the Chinese art of our honor, and the humanistic spirit to cultivate their sentiments in the most rugged years in the Chinese nation. In the history of national art, there was a lot of eager research on electro-optical firework,