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在世纪交替之际,当我们回顾20世纪中国美术发展历程时,应当特别关注20世纪中国美术一个辉煌的篇章:中国新兴版画。因为正是以新兴版画为先锋和主力的30年代左翼美术和40年代解放区美术的艺术思想标示了中国当代美术发展的方向;因为新兴版画“创造了足以体现当时时代审美理想的艺术形象,木刻成了当时人们审美理想的最集中的表现形式。” 我们回顾新兴版画70年的风雨历程,总结70年的经验得失,不仅对中国版画、同样对中国美术在21世纪的繁荣发展具有温故知新、继往开来的现实意义。
In the turn of the century, when we review the development of Chinese art in the 20th century, we should pay special attention to a brilliant chapter of Chinese art in the 20th century: the emerging Chinese prints. Because it is the pioneering and main emerging art of the 1930s and the Art of Art in the Liberated Areas in the 1940s that mark the direction of the development of contemporary Chinese art. Because the emerging prints “created an artistic image that embodied the aesthetic ideal of the time, At the time, the most concentrated manifestations of the aesthetic ideals of the people of the time were: ”We reviewed the stormy history of the new prints for 70 years and summed up the gains and losses of the past 70 years, not only for Chinese prints but also for the prosperity and development of Chinese art in the 21st century. Realistic meaning.