许地山的《春桃》将女主人公置于战乱年代,在国难家散的困境中凭自己的毅力和意志顽强地生存下来,以中国女性传统的善良和坚韧使另外两个男人也生存了下来,并按自己的原则蔑视传统习俗,唾弃父权和父权思想,显示了一定的女性主体意识。 Xu Dashan’s “Spring Peach” placed the heroine in the era of war, survived the perseverance and will of his own country in the predicament of the national homeland, survived the goodwill and perseverance of the Chinese female tradition, and brought the other two men together Disregarding traditional customs according to their own principles and spitting aside their patriarchal and patriarchal ideals show a certain sense of female subject.